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Dead Man's Cell Phone (TCG Edition)

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Description

“Satire is her oxygen. . . . In her new oddball comedy, Dead Man’s Cell Phone, Sarah Ruhl is forever vital in her lyrical and biting takes on how we behave.”—The Washington Post“Ruhl’s zany probe of the razor-thin line between life and death delivers a fresh and humorous look at the times we live in.”—Variety“Sarah Ruhl is deliriously imaginative and fearless in her choice of subject matter. She is an original.”—Molly Smith, artistic director, Arena StageAn incessantly ringing cell phone in a quiet café. A stranger at the next table who has had enough. And a dead man—with a lot of loose ends. So begins Dead Man’s Cell Phone, a wildly imaginative new comedy by playwright Sarah Ruhl, recipient of a MacArthur “Genius” Grant and Pulitzer Prize finalist for her play The Clean House. A work about how we memorialize the dead—and how that remembering changes us—it is the odyssey of a woman forced to confront her own assumptions about morality, redemption, and the need to connect in a technologically obsessed world.Sarah Ruhl’s plays have been produced at theaters around the country, including Lincoln Center Theater, the Goodman Theatre, Arena Stage, South Coast Repertory, Yale Repertory Theatre, Berkeley Repertory Theatre, among others, and internationally. She is the recipient of the Susan Smith Blackburn Prize (for The Clean House, 2004), the Helen Merrill Emerging Playwrights Award, and the Whiting Writers’ Award. The Clean House was a Pulitzer Prize finalist in 2005. She is a member of 13P and New Dramatists. Read more

Publisher ‏ : ‎ Theatre Communications Group (April 1, 2008)


Language ‏ : ‎ English


Paperback ‏ : ‎ 96 pages


ISBN-10 ‏ : ‎ 1559363258


ISBN-13 ‏ : ‎ 59


Item Weight ‏ : ‎ 6.1 ounces


Dimensions ‏ : ‎ 5.4 x 0.4 x 8.5 inches


Best Sellers Rank: #888,182 in Books (See Top 100 in Books) #423 in Dramas & Plays by Women #809 in Death #1,577 in Philosophy Metaphysics


#423 in Dramas & Plays by Women:


#809 in Death:


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If you place your order now, the estimated arrival date for this product is: Tuesday, May 6

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Top Amazon Reviews


  • " This play is great. At first glance and even first initial read
"You remind me of a casserole. Has anyone ever told you that?" This play is great. At first glance and even first initial read, it's hard to tell what this play is even about. It's a love story at the expense of a dead man and his family. It's funny, ridiculous, and charming in the best of ways.
Reviewed in the United States on November 11, 2016 by SirTherapySquid

  • An uncompromising ride of what next.
Sarah has shocked me again. Not in a may you uncomfortable way, but in an uncomfortable way. (She works in the odd. See "IN THE NEXT ROOM") In "Dead Man's Cell Phone" - We're (the audience) has to deal with death, and the effects of death on the family. We find our heroine odd but well-meaning; likewise we find our dead man important, needed, good? Sucked into the journey by scene 3 of the fast paced 1st Act, you are encouraged to continually deal with the peculiarities of what makes us uncomfortable about each other and our peculiarities of self. Deeply questioning. Richly peculiar and funny. Just down right funny. You will enjoy where you end up by the end of Act 2. Great what next play. ... show more
Reviewed in the United States on December 14, 2016 by Mozart

  • Do You Know Where Your Cell Phone Is?
Imagine entering someone's life through his cell phone...meeting the people in his life and becoming his surrogate every time the phone rings. Makes us all wonder what people will say about us after we are gone. Dead Man's Cell Phone gives us cause to pause and re-examine the footprints we leave behind. A marvelous play and a good read. ... show more
Reviewed in the United States on January 26, 2013 by Pam Leptich

  • Expressionistic journey
This is a contemporary expressionistic/surrealistic view of a woman who investigates a dead man's family by tracing the information in his cell phone. There are some clever black comic moments, such as when the cell phone owner dies, dinner is experienced with his mother and his family and the romance which springs between the dead man's brother and the cell phone woman. However, the plot becomes too far fetched when the profession of the dead man is depicted---he sells and ships dead body parts for transplants. Ruhl tries to paint a black comic society of users and those trapped within routines. However, her symbolism ans expressionism fall short since she does not use them judiciously. Everything becomes exaggerated here--including the romance between the brother and the cell phone discovery woman. The plot and atmosphere become too MUCH ALL OF ONE--TOO MUCH THE SAME; SO THAT CONTRASTS AND DELINEATIONS BECOME MUDDLED INTO A MASHED UP CHAOTIC UNIVERSE. ... show more
Reviewed in the United States on November 15, 2009 by Spirit Visitor

  • Unique and Well Written as Always!
As always, Sarah Ruhl delivers a truly unique and well thought out storyline with very human characters. While the play can be very dreamy I also found myself connecting with every character in some way. This is a contemporary masterpiece!
Reviewed in the United States on January 1, 2018 by Michael J. Mincey

  • It's exactly what you think it would be. I'm ...
It's exactly what you think it would be. I'm an actor and I needed this for a play. It all worked out.
Reviewed in the United States on May 8, 2015 by Dani Miller

  • I loved it.
It was a quirky, romantic, queasy, unusual tale that stretches from the randomness of living and dying to the intamacy of our desires and insecurities. I loved it.
Reviewed in the United States on April 19, 2016 by Bret

  • It tries - and fails
It tries to be funny - it isn't. It tries to be clever - it isn't. It tries to convey a deep message - it doesn't. All it is the stupid "technology is evil" message with forgettable characters and nonexistent plot.
Reviewed in the United States on November 25, 2015 by E McGrath

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